Our Shows

  • A woman in brown clothing bending backward on large tree roots with white paint on her arms and legs, looking at the camera.

    Arterial


    A moving acrobatic performance linking people, country and culture, where the unseen bonds between the body and the land become beautifully visible.

    This enchanting Na Djinang Circus performance explores the ancient connections tying First Nations people together, strong through bloodlines but irreparably damaged through colonisation.

    Four performers connect with each other physically and spiritually in a display of breathtaking acrobatics and visual techniques.

    Arterial will both excite and move you as the performers celebrate what it means to be First People—the lifeblood of this country. The land is its beating heart.


  • Two dancers performing an acrobatic pose on stage, one lying on the ground supporting the other who is suspended mid-air.

    Common Dissonance


    In a 21st Century world where it is common to believe in both spirituality and science – how can we navigate the complex dialogues that consume contemporary culture? For thousands of years in Australia, understanding of the world came from dreamtime stories, song lines, and oral histories all of which are still relevant to many Australians. Our environment is riddled with the hypocrisies of a culturally diverse past lingering in the wake of a globalized present. Featuring two contemporary performers with shared and distinctly individual experiences, this work aims not only to explore the harmony and conflict of contemporary Australian reasoning, but to find a Common Dissonance.

    Common Dissonance is a contemporary circus work exploring the struggle between traditional and modern modes of reasoning.

  • Three performers in beige costumes performing an acrobatic act on stage with dramatic lighting. One performer is held aloft in the air by the two others holding the performers feet.

    Of The Land on Which We Meet


    Walking on stone and cement it can be hard to remember what it feels like to have earth beneath our feet. What does it mean to be where we are?

    By opening up the acknowledgement of Country and taking a closer look within it, we search for a way to address the possible lack of connection contemporary Australians have with the spirituality of the land.

    We follow the journey of three contemporary Australian circus artists with distinct relationships with Country; an indigenous Australian, a descendant of migrants, and a descendant of colonial settlers.

    Of the Land on Which We Meet hopes to re-discover a connection we once had on Country with 60,000 years of history, spirit and story.